400 Words Exactly

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400” postings this week

400 Words Exactly

Here’s your 400 challenge: Writing a long sentence, in fact, a sentence that is exactly 400 words long. Here’s my offering.

As a self-taught writer who has taken the long, winding road towards writing and literary efforts, I was slow to learn about writing long sentences, both how to do so and why one might want to do so, but finally was enlightened by three articulate authors and their books: Ursula LeGuin, the respected science fiction and fantasy writer, author of The Left Hand of Darkness, and the popular children’s series, Wizard of the Earthsea, encourages long sentences in her how-to book on writing, Steering the Craft, by quoting a 354-word sentence from Mark Twain’s Huckleberry Finn, which takes the long, slow route – LeGuin calls it the “marvelously supple connections of complex syntax” – to describing the details of a sunrise over the Mississippi River, including the sights, sounds, and smells of the unfolding morning; the second book which is less artistic, but perhaps more helpful to me personally was Ann Longknife, Ph.D and K.D. Sullivan’s book, The Art of Styling Sentences: 20 Patterns for Success – look for the second edition published in 2002 – which I studied with a writing friend, KN, and found to be extremely helpful in reviewing colons, semi-colons, appostives, etc, especially as KN and I posted to mutual mailing lists and encourage each other to use the patterns correctly and creatively and learned that control of language was essential to make the words mean what you want it to mean ( in fact, I found this book to be so useful, that I required it as a text when I taught Freshman Composition); and third, was Dona Hickey’s wondeful book, Developing a Written Voice, a virtual gem of a book – it’s not for the faint-hearted, because it reads like a college text book, but it’s a gem, nonetheless – which encourages the exploration of both long and short sentences, including sentence fragments, while Hickey also gives the writer a range of options for creating coherence and cohesion among the various parts of the sentence, including traditional rhetorical strategies such as schemes (unusual patterns of words) : schemes of balance, such as parallel structures, antithesis and the isocolon; schemes of unusual or inverted word order, such as anastrophe and parenthesis; schemes of omission, such as ellipsis, asyndeton or polysyndeton; schemes of repetition, such as alliteration, polyptoton, assonance, anaphora, epistrophe, epanalepsis, anadiplosis, tricolon, chiasmus, and of course, long lists – all useful tools to create long sentences and keep them understandable. Writing long is fun. Really. Try it.

(OK, Oh, Queens of Grammar, let me have it!)

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