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	<title>Fiction Notes &#187; young adult</title>
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		<title>Does Sentence Structure Affect Tone?</title>
		<link>http://www.darcypattison.com/revision/sentence-structure-affect-tone/</link>
		<comments>http://www.darcypattison.com/revision/sentence-structure-affect-tone/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 15:21:38 +0000</pubDate>
		<dc:creator>Darcy Pattison</dc:creator>
				<category><![CDATA[novel revision]]></category>
		<category><![CDATA[child]]></category>
		<category><![CDATA[how to write]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[MG]]></category>
		<category><![CDATA[middle grade]]></category>
		<category><![CDATA[Picture book]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[tone]]></category>
		<category><![CDATA[YA]]></category>
		<category><![CDATA[young adult]]></category>

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		<description><![CDATA[Tone is the overall feel of a story. Does this sound depressed, joyful, or hopeful? Beyond that, though, tone can determine the audience for your story. One of the main differences between a middle grade and YA, or a YA and an adult story, is the tone of the piece. Tone reflects the author’s attitude [...]<p><div id="goodreadsGiveawayWidget20260"><!-- Show static html as a placeholder in case js is not enabled -->

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<p>Tone is the overall feel of a story. Does this sound depressed, joyful, or hopeful? </p>
<p>Beyond that, though, tone can determine the audience for your story. One of the main differences between a middle grade and YA, or a YA and an adult story, is the tone of the piece. Tone reflects the author’s attitude toward the characters, the plot, the setting, and the theme of the story.</p>
<p>One of the easiest ways to signal tone and, as a result, audience is to control your sentence structure. A simplistic explanation would say that simple sentences are for younger audiences, while longer sentences are for older. But that’s too simplistic.</p>
<h3>Tone of a Picture Book</h3>
<p>It is true that picture book language is simpler, but it’s not necessarily simplistic.</p>
<p>Clarity is paramount. You can—I love to do this—interrupt a sentence with another sentence. When I was teaching college level courses and taught this sentence construction, one student came back to class and reported that her three year old daughter had done this. Even young kids talk in complex ways. But the connections from sentence to sentence must be absolutely clear. Using lots of introductory clauses, even when well used, can be confusing. Instead, be simple and direct. Make sure everything is clear.</p>
<h3>Tone of a Middle Grade</h3>
<p>The tone here is more complex and respectful. Never take the tone of talking down to a “little kid.” For sentence structures, you’ll still want to be clear, easy to understand. You can take more detours, for example, explaining a character’s motivations, or describing in more detail. But the tone is honest, open, fun, entertaining. Simple sentences are complemented by compound and complex sentences.</p>
<h3>Tone of a Young Adult (YA)</h3>
<p>The difference here is that, besides a full range of sentence structures, the attitude is more irreverent, questioning, “edgy.” This may mean experimentation with sentence fragments, POV, invented words, jargon—including cursing, lists, long sentences with plenty of semi-colons. The mandate here is freshness, in content and in presentation (your sentences). </p>
<p><a href="http://www.amazon.com/Spunk-Bite-Writers-Guide-Contemporary/dp/0375722270/ref=nosim?tag=darpatsrevnot-20<br />
"><img src="http://www.darcypattison.com/notes/wp-content/uploads//spunk.jpg" alt="" title="spunk" width="183" height="275" class="alignleft size-full wp-image-3209" /></a>A great book to shake up your grammar is Spunk &#038; Bite: A Writer’s Guild to Bold, Contemporary Style by Arthur Plotnik.</p>
<h3>Tone of an Adult Story or Novel</h3>
<p>The adult story has sophistication, nuances and maturity as hallmarks of its tone, regardless of genre. The full range of sentence structures can and should be present and you may use whatever is appropriate for your story. For a brush-up on sentence structure possibilities, <a href="http://www.amazon.com/Art-Styling-Sentences-Patterns-Success/dp/0812014480/ref=nosim?tag=darpatsrevnot-20">read this book</a>. </p>
<p>This isn’t a call for simple sentences for picture books.<br />
I write picture books.<br />
I write easy picture books<br />
I write boring picture books.</p>
<p>This is a call to make sure that in the tone—especially in how sentences affect tone—is a crucial part of your decision making as you write a story. Examine your typical sentence structures and shake it up some!<br />
<br clear="all" /></p>
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		<title>Sydney Salter: 2k9</title>
		<link>http://www.darcypattison.com/authors/sydney-salter-2k9/</link>
		<comments>http://www.darcypattison.com/authors/sydney-salter-2k9/#comments</comments>
		<pubDate>Wed, 08 Apr 2009 13:43:18 +0000</pubDate>
		<dc:creator>Darcy Pattison</dc:creator>
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		<description><![CDATA[Introduced first in 2007, authors debuting children&#8217;s books have formed a cooperative effort to market their novels. Last year, I featured many of the stories of how the 2k8 Novels Were Revised. This is part of the ongoing stories from the Class of 2k9 authors and how they went about revising their novels. Learning to [...]<p><div id="goodreadsGiveawayWidget20260"><!-- Show static html as a placeholder in case js is not enabled -->

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<p><a href="http://classof2k7.com/">Introduced first in 2007</a>, authors debuting children&#8217;s books have formed a cooperative effort to market their novels. Last year, I featured many of the stories of how the <a href="http://www.darcypattison.com/?s=2k8">2k8 Novels Were Revised</a>. This is part of the ongoing stories from the <a href="http://www.classof2k9.com/">Class of 2k9</a> authors and how they went about revising their novels.</p>
<h2>Learning to Love Novel Revisions Takes Time</h2>
<p><a href="http://www.amazon.com/Big-Nose-Other-Natural-Disasters/dp/0152066438/ref=nosim?tag=darpatsrevnot-20"><img src="http://ecx.images-amazon.com/images/I/41LkLcZ14kL._SL500_AA240_.jpg" alt="My big Nose by Sydney Salter" /></a></p>
<p>by <a href="http://www.sydneysalter.com/">Sydney Salter</a></p>
<p><em>My Big Nose And Other Natural Disasters</em> (HM Harcourt/Graphia, April 6, 2009).</p>
<p><strong>Nasty chore.</strong> I used to think of novel revision as a nasty chore, kind of like laundry or washing dishes. I vividly remember taking my first manuscript to my writing group. I knew they would love it. This was my first novel, and it was going to be snapped up by a publisher, win many glorious awards for novels, and I’d become rich and famous—in mere months (okay, you can stop laughing now).</p>
<p>Imagine my shock when I returned the next week—and learned that they had suggestions.  For improvement! They thought my novel started out kind of slow. They thought one thread of the novel was amore interesting than the other. Heart pounding, cheeks flushed, I defended myself mightily, explaining why I didn’t really need to take their suggestions, didn&#8217;t need to revise. They just didn’t get my novel. And maybe they weren’t quite as intelligent as I’d thought they were?</p>
<p>I submitted the novel. I collected rejections—mostly form letters. On the fifth form letter an editor scrawled, “Promising, but Kat’s voice could be stronger.” I focused on the promising part, not knowing how to revise to make the voice stronger. I simply didn’t have the writing skills to do that yet.</p>
<p><strong>I wrote new novels.</strong> I attended conferences and workshops; I learned that nothing in book publishing takes mere months. And I learned to take criticism on my novels. Sure my heart still pounded, my cheeks still flushed, but I took extensive notes and asked clarifying questions. I stopped defending myself and my book. I really listened to critiques. </p>
<p>I actually looked forward to using the advice to improve my novels. Was this [whispers] revision? </p>
<p><strong>I wrote my fourth book</strong> during National Novel Writing Month, but before revising it, I decided to return to that first story. I finally understood voice. I even took another look at those initial revision comments made by my writing group. How I loved returning to those familiar characters! I finally knew how to make the book better.</p>
<p>My fourth novel, <em>My Big Nose And Other Natural Disasters</em>, caught an agent’s attention. But he had a few notes for revision. No problem—my patient (and did I mention intelligent?) writing group had taught me how to take criticism! I worked hard on the revisions.</p>
<p><strong>Sale #1.</strong> And the book sold quickly. </p>
<p><strong>Sale #2! </strong> A few months—and revisions—later, my agent also sold that very first novel, <em>Jungle Crossing</em>, but only because I had learned to appreciate, okay, maybe even love, revising. Now if only I could learn to love laundry and dishwashing . . .<br />
<a href="http://www.amazon.com/Jungle-Crossing-Sydney-Salter/dp/0152064346/ref=nosim?tag=darpatsrevnot-20"><img src="http://ecx.images-amazon.com/images/I/51DP%2B9GwEQL._SL500_AA240_.jpg" alt="Jungle Crossing" /></a></p>
<p><em>Jungle Crossing</em> (HM Harcourt, September 28, 2009)</p>
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      <h4 style="margin: 0 0 10px; padding: 0; font-style: normal; font-weight: normal;">
        
          by <a href="http://www.goodreads.com/author/show/104277" style="text-decoration: none;">Darcy Pattison</a>
        
      </h4>
      
      <div class="giveaway_details">
        
          <p>
            Giveaway ends March 11, 2012.
          </p>
          <p>
            See the <a href="http://www.goodreads.com/giveaway/show/20260" style="text-decoration: none;">giveaway details</a>
            at Goodreads.
          </p>
        
      </div>
    </div>
    <div style="clear: both;"></div>
    
    
      <a href="http://www.goodreads.com/giveaway/enter_choose_address/20260" class="goodreadsGiveawayWidgetEnterLink">Enter to win</a>
    
    
  </div>
</div><script src="http://www.goodreads.com/giveaway/widget/20260" type="text/javascript" charset="utf-8"></script></p>
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