Point of View: Inside a Character’s Head

Ivan

How does an author take a reader deeply into a character’s POV? By using direct interior monologue and a stream of consciousness techniques. This is part 3 of a 3-part series on Point of View: Techniques for Getting Inside a Character’s Head. Read the whole series. Outside Outside/Inside Inside Going Inside a Character’s Head, Heart […]

Point of View: Outside/Inside a Character’s Head

Partially Inside a Character’s Head: OUTSIDE AND INSIDE POV How deeply does a story take the reader into the head of a character. Many discussions of point of view skim over the idea that POV can related to how close a reader is to a reader. But David Jauss says there are two points of […]

2 Dialogue Tips from Studying SitComs: Just Spit it Out

everybody-loves-raymond-0

I learned that Sit-Coms just spit it out. On one episode of Everybody Loves Raymond, Raymond’s brother Robert comes over to take the kids to the zoo. Raymond realizes that the kids might even like Uncle Robert more than him. Robert actually spits it out: You’re not a good father. Of course, in a sit-com, […]

10 Body Language Tricks for Deeper Characterization

Sunglasses

Tweet I’ve written before about the importance of using strong body language for your characters. The September, 2011 Cosmopolitan magazine, featured an article by Mina Azodi on “Cool Mind Tricks that can Give you an Edge.” Really, she’s talking recent research on body language. Here are some extra body language tips to consider. Give your […]