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	<title>Comments on: interior thoughts</title>
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		<title>By: Kimberlee Conway Ireton</title>
		<link>http://www.darcypattison.com/revision/interior-thoughts/comment-page-1/#comment-5258</link>
		<dc:creator>Kimberlee Conway Ireton</dc:creator>
		<pubDate>Sat, 26 Sep 2009 06:39:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.darcypattison.com/?p=2235#comment-5258</guid>
		<description>About 20 pages into my WIP novel, the heroine faints from fear. In order to make this believable, the reader has to understand why she&#039;s so afraid. So I use a short flashback (which I&#039;ve hinted at prior to this scene) and weave it into the present, as if she&#039;s reliving the experience. Of course, this option will only work once. 

In other places, I&#039;ve tried to show my characters&#039; thoughts vividly. When my narrator pities the antagonist, she says, &quot;A twinge of pity flickered in my heart.&quot; In the next scene, after the antagonist has been a total hag, my narrator says, &quot;I hated her blond insolence.&quot; Yes, I&#039;m telling what she&#039;s thinking, but both are reactions to what has gone before; both are short; both show us something about the kind of person the narrator is; and both connect with overarching images or themes in the story.</description>
		<content:encoded><![CDATA[<p>About 20 pages into my WIP novel, the heroine faints from fear. In order to make this believable, the reader has to understand why she&#8217;s so afraid. So I use a short flashback (which I&#8217;ve hinted at prior to this scene) and weave it into the present, as if she&#8217;s reliving the experience. Of course, this option will only work once. </p>
<p>In other places, I&#8217;ve tried to show my characters&#8217; thoughts vividly. When my narrator pities the antagonist, she says, &#8220;A twinge of pity flickered in my heart.&#8221; In the next scene, after the antagonist has been a total hag, my narrator says, &#8220;I hated her blond insolence.&#8221; Yes, I&#8217;m telling what she&#8217;s thinking, but both are reactions to what has gone before; both are short; both show us something about the kind of person the narrator is; and both connect with overarching images or themes in the story.</p>
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